see . drown
all things great and small
see . drown
+
archatlas:

Sean Thomas
archatlas:

Sean Thomas
archatlas:

Sean Thomas
archatlas:

Sean Thomas
archatlas:

Sean Thomas
archatlas:

Sean Thomas
archatlas:

Sean Thomas
archatlas:

Sean Thomas
archatlas:

Sean Thomas
archatlas:

Sean Thomas
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scienceisbeauty:

Gifs That Teach You Science Concepts (via From Quarks to Quasars)
scienceisbeauty:

Gifs That Teach You Science Concepts (via From Quarks to Quasars)
scienceisbeauty:

Gifs That Teach You Science Concepts (via From Quarks to Quasars)
scienceisbeauty:

Gifs That Teach You Science Concepts (via From Quarks to Quasars)
scienceisbeauty:

Gifs That Teach You Science Concepts (via From Quarks to Quasars)
scienceisbeauty:

Gifs That Teach You Science Concepts (via From Quarks to Quasars)
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+
architectureland:

Jesolo Lido Pool Villa by JM Architecture
architectureland:

Jesolo Lido Pool Villa by JM Architecture
architectureland:

Jesolo Lido Pool Villa by JM Architecture
architectureland:

Jesolo Lido Pool Villa by JM Architecture
architectureland:

Jesolo Lido Pool Villa by JM Architecture
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+
natgeotravel:

Retro Rome: Visitors at St. Peter’s Basilica, Italy.
Photograph by Ken Kochey
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"Date someone who is interested in you. I don’t mean someone who thinks you’re cute or funny. I mean someone who wants to know every insignificant detail about you. Someone who wants to read every word you write. Someone who wants hear every note of your favourite song, and watch every scene of your favourite movie. Someone wants to find every scar upon your body, and learn where each one came from. Someone who wants to know your favourite brand of toothpaste, and which quotes resonate deep inside your bones when you hear them. There is a difference between attraction and interest. Find the person who wants to learn every aspect of who you are."
Anonymous (via nluh)
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the-gasoline-station:

Ruysdaelstraat, Deventer
by Peter Westerhof
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archatlas:

In Flakes Mount Fuji Architects Studio
archatlas:

In Flakes Mount Fuji Architects Studio
archatlas:

In Flakes Mount Fuji Architects Studio
archatlas:

In Flakes Mount Fuji Architects Studio
archatlas:

In Flakes Mount Fuji Architects Studio
archatlas:

In Flakes Mount Fuji Architects Studio
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'Culturally Aware Architecture'
the-gasoline-station:

Jean Nouvel’s Responsive Solar Facade at Institut du Monde Arabe
In the early eighties famed architect Jean Nouvel, in conjunction with Architecture-Studio, won the competition to design what would become the Institut du Monde Arabe (IMA). It was conceived during the Grands Projets, a major development initiative headed by the French government, as a forum to explore the relationship of the Arab culture with France. Jean Nouvel, known for his innovative façade detailing, proposed an advanced responsive metallic brise soleil based on an archetypal element of Arabic architecture, the mashrabiyya. Drawing inspiration from the traditional lattice work that has been used for centuries in the Middle East to protect the occupants from the sun and provide privacy, Nouvel created a modular system of mechanized panels that could react dynamically to changing sunlight. Each made of several hundred light sensitive diaphragms, the panels could sensitively regulate the amount of light allowed to enter the building. During the various phases of the lens, a shifting geometric pattern of squares, circles, and octagons are formed and showcased as both light and void. As a result, the IMA’s interior spaces are dramatically modified, along with the exterior appearance, throughout the day. While these ocular devices create an incredible aesthetic, they are perhaps most innovative for their environmental performance. Since solar gain is easily mitigated by closing or reducing the aperture sizes, the building can be climate controlled efficiently without relying on energy-intensive air conditioning systems. Though completed almost three decades ago, the building remains a powerful example of alternative ways of imagining an “ecological” and culturally-aware architecture. 
'Culturally Aware Architecture'
the-gasoline-station:

Jean Nouvel’s Responsive Solar Facade at Institut du Monde Arabe
In the early eighties famed architect Jean Nouvel, in conjunction with Architecture-Studio, won the competition to design what would become the Institut du Monde Arabe (IMA). It was conceived during the Grands Projets, a major development initiative headed by the French government, as a forum to explore the relationship of the Arab culture with France. Jean Nouvel, known for his innovative façade detailing, proposed an advanced responsive metallic brise soleil based on an archetypal element of Arabic architecture, the mashrabiyya. Drawing inspiration from the traditional lattice work that has been used for centuries in the Middle East to protect the occupants from the sun and provide privacy, Nouvel created a modular system of mechanized panels that could react dynamically to changing sunlight. Each made of several hundred light sensitive diaphragms, the panels could sensitively regulate the amount of light allowed to enter the building. During the various phases of the lens, a shifting geometric pattern of squares, circles, and octagons are formed and showcased as both light and void. As a result, the IMA’s interior spaces are dramatically modified, along with the exterior appearance, throughout the day. While these ocular devices create an incredible aesthetic, they are perhaps most innovative for their environmental performance. Since solar gain is easily mitigated by closing or reducing the aperture sizes, the building can be climate controlled efficiently without relying on energy-intensive air conditioning systems. Though completed almost three decades ago, the building remains a powerful example of alternative ways of imagining an “ecological” and culturally-aware architecture. 
'Culturally Aware Architecture'
the-gasoline-station:

Jean Nouvel’s Responsive Solar Facade at Institut du Monde Arabe
In the early eighties famed architect Jean Nouvel, in conjunction with Architecture-Studio, won the competition to design what would become the Institut du Monde Arabe (IMA). It was conceived during the Grands Projets, a major development initiative headed by the French government, as a forum to explore the relationship of the Arab culture with France. Jean Nouvel, known for his innovative façade detailing, proposed an advanced responsive metallic brise soleil based on an archetypal element of Arabic architecture, the mashrabiyya. Drawing inspiration from the traditional lattice work that has been used for centuries in the Middle East to protect the occupants from the sun and provide privacy, Nouvel created a modular system of mechanized panels that could react dynamically to changing sunlight. Each made of several hundred light sensitive diaphragms, the panels could sensitively regulate the amount of light allowed to enter the building. During the various phases of the lens, a shifting geometric pattern of squares, circles, and octagons are formed and showcased as both light and void. As a result, the IMA’s interior spaces are dramatically modified, along with the exterior appearance, throughout the day. While these ocular devices create an incredible aesthetic, they are perhaps most innovative for their environmental performance. Since solar gain is easily mitigated by closing or reducing the aperture sizes, the building can be climate controlled efficiently without relying on energy-intensive air conditioning systems. Though completed almost three decades ago, the building remains a powerful example of alternative ways of imagining an “ecological” and culturally-aware architecture. 
'Culturally Aware Architecture'
the-gasoline-station:

Jean Nouvel’s Responsive Solar Facade at Institut du Monde Arabe
In the early eighties famed architect Jean Nouvel, in conjunction with Architecture-Studio, won the competition to design what would become the Institut du Monde Arabe (IMA). It was conceived during the Grands Projets, a major development initiative headed by the French government, as a forum to explore the relationship of the Arab culture with France. Jean Nouvel, known for his innovative façade detailing, proposed an advanced responsive metallic brise soleil based on an archetypal element of Arabic architecture, the mashrabiyya. Drawing inspiration from the traditional lattice work that has been used for centuries in the Middle East to protect the occupants from the sun and provide privacy, Nouvel created a modular system of mechanized panels that could react dynamically to changing sunlight. Each made of several hundred light sensitive diaphragms, the panels could sensitively regulate the amount of light allowed to enter the building. During the various phases of the lens, a shifting geometric pattern of squares, circles, and octagons are formed and showcased as both light and void. As a result, the IMA’s interior spaces are dramatically modified, along with the exterior appearance, throughout the day. While these ocular devices create an incredible aesthetic, they are perhaps most innovative for their environmental performance. Since solar gain is easily mitigated by closing or reducing the aperture sizes, the building can be climate controlled efficiently without relying on energy-intensive air conditioning systems. Though completed almost three decades ago, the building remains a powerful example of alternative ways of imagining an “ecological” and culturally-aware architecture. 
'Culturally Aware Architecture'
the-gasoline-station:

Jean Nouvel’s Responsive Solar Facade at Institut du Monde Arabe
In the early eighties famed architect Jean Nouvel, in conjunction with Architecture-Studio, won the competition to design what would become the Institut du Monde Arabe (IMA). It was conceived during the Grands Projets, a major development initiative headed by the French government, as a forum to explore the relationship of the Arab culture with France. Jean Nouvel, known for his innovative façade detailing, proposed an advanced responsive metallic brise soleil based on an archetypal element of Arabic architecture, the mashrabiyya. Drawing inspiration from the traditional lattice work that has been used for centuries in the Middle East to protect the occupants from the sun and provide privacy, Nouvel created a modular system of mechanized panels that could react dynamically to changing sunlight. Each made of several hundred light sensitive diaphragms, the panels could sensitively regulate the amount of light allowed to enter the building. During the various phases of the lens, a shifting geometric pattern of squares, circles, and octagons are formed and showcased as both light and void. As a result, the IMA’s interior spaces are dramatically modified, along with the exterior appearance, throughout the day. While these ocular devices create an incredible aesthetic, they are perhaps most innovative for their environmental performance. Since solar gain is easily mitigated by closing or reducing the aperture sizes, the building can be climate controlled efficiently without relying on energy-intensive air conditioning systems. Though completed almost three decades ago, the building remains a powerful example of alternative ways of imagining an “ecological” and culturally-aware architecture. 
'Culturally Aware Architecture'
the-gasoline-station:

Jean Nouvel’s Responsive Solar Facade at Institut du Monde Arabe
In the early eighties famed architect Jean Nouvel, in conjunction with Architecture-Studio, won the competition to design what would become the Institut du Monde Arabe (IMA). It was conceived during the Grands Projets, a major development initiative headed by the French government, as a forum to explore the relationship of the Arab culture with France. Jean Nouvel, known for his innovative façade detailing, proposed an advanced responsive metallic brise soleil based on an archetypal element of Arabic architecture, the mashrabiyya. Drawing inspiration from the traditional lattice work that has been used for centuries in the Middle East to protect the occupants from the sun and provide privacy, Nouvel created a modular system of mechanized panels that could react dynamically to changing sunlight. Each made of several hundred light sensitive diaphragms, the panels could sensitively regulate the amount of light allowed to enter the building. During the various phases of the lens, a shifting geometric pattern of squares, circles, and octagons are formed and showcased as both light and void. As a result, the IMA’s interior spaces are dramatically modified, along with the exterior appearance, throughout the day. While these ocular devices create an incredible aesthetic, they are perhaps most innovative for their environmental performance. Since solar gain is easily mitigated by closing or reducing the aperture sizes, the building can be climate controlled efficiently without relying on energy-intensive air conditioning systems. Though completed almost three decades ago, the building remains a powerful example of alternative ways of imagining an “ecological” and culturally-aware architecture. 
'Culturally Aware Architecture'
the-gasoline-station:

Jean Nouvel’s Responsive Solar Facade at Institut du Monde Arabe
In the early eighties famed architect Jean Nouvel, in conjunction with Architecture-Studio, won the competition to design what would become the Institut du Monde Arabe (IMA). It was conceived during the Grands Projets, a major development initiative headed by the French government, as a forum to explore the relationship of the Arab culture with France. Jean Nouvel, known for his innovative façade detailing, proposed an advanced responsive metallic brise soleil based on an archetypal element of Arabic architecture, the mashrabiyya. Drawing inspiration from the traditional lattice work that has been used for centuries in the Middle East to protect the occupants from the sun and provide privacy, Nouvel created a modular system of mechanized panels that could react dynamically to changing sunlight. Each made of several hundred light sensitive diaphragms, the panels could sensitively regulate the amount of light allowed to enter the building. During the various phases of the lens, a shifting geometric pattern of squares, circles, and octagons are formed and showcased as both light and void. As a result, the IMA’s interior spaces are dramatically modified, along with the exterior appearance, throughout the day. While these ocular devices create an incredible aesthetic, they are perhaps most innovative for their environmental performance. Since solar gain is easily mitigated by closing or reducing the aperture sizes, the building can be climate controlled efficiently without relying on energy-intensive air conditioning systems. Though completed almost three decades ago, the building remains a powerful example of alternative ways of imagining an “ecological” and culturally-aware architecture.