see . drown
all things great and small
see . drown
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mode-chanel:

Emma looks so beautiful. Love her dress
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gasoline-station:

Umhüllter Raum
by kleyer.koblitz.letzel.freivogel.architekte
gasoline-station:

Umhüllter Raum
by kleyer.koblitz.letzel.freivogel.architekte
gasoline-station:

Umhüllter Raum
by kleyer.koblitz.letzel.freivogel.architekte
gasoline-station:

Umhüllter Raum
by kleyer.koblitz.letzel.freivogel.architekte
gasoline-station:

Umhüllter Raum
by kleyer.koblitz.letzel.freivogel.architekte
gasoline-station:

Umhüllter Raum
by kleyer.koblitz.letzel.freivogel.architekte
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wmagazine:

Kiev babes
Photographs by Adam Katz Sinding. 
wmagazine:

Kiev babes
Photographs by Adam Katz Sinding. 
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Ive always wanted this bag!
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fashionbygettyimages:

Put simply. Beautiful. This is the actress Emma Watson at the UK premiere of Noah at the Odeon Leicester Square on March 31, 2014 in London.
Source: Gettyimages.com
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archatlas:

Through the Window Giorgio Barrera
"I started this project in 2002 and stop working at it in 2009. I mainly shot in Italy but other photographs were taken in Norway, Denmark, Spain, Germany, Finland and Sweden. The window is a transparent threshold which delimits a public space from a private one. I’ve always taken the role of the viewer becaues he/she is the real receiver of the image, it is important to me to leave the viewer with the feeling that he himself is the one looking through his own eyes, with no mediation, and this impression of enjoying a privileged, protected position results in identification with the situation. All these images are staged. For many years to create a stage of the banal moments of daily life has been my main interest."
archatlas:

Through the Window Giorgio Barrera
"I started this project in 2002 and stop working at it in 2009. I mainly shot in Italy but other photographs were taken in Norway, Denmark, Spain, Germany, Finland and Sweden. The window is a transparent threshold which delimits a public space from a private one. I’ve always taken the role of the viewer becaues he/she is the real receiver of the image, it is important to me to leave the viewer with the feeling that he himself is the one looking through his own eyes, with no mediation, and this impression of enjoying a privileged, protected position results in identification with the situation. All these images are staged. For many years to create a stage of the banal moments of daily life has been my main interest."
archatlas:

Through the Window Giorgio Barrera
"I started this project in 2002 and stop working at it in 2009. I mainly shot in Italy but other photographs were taken in Norway, Denmark, Spain, Germany, Finland and Sweden. The window is a transparent threshold which delimits a public space from a private one. I’ve always taken the role of the viewer becaues he/she is the real receiver of the image, it is important to me to leave the viewer with the feeling that he himself is the one looking through his own eyes, with no mediation, and this impression of enjoying a privileged, protected position results in identification with the situation. All these images are staged. For many years to create a stage of the banal moments of daily life has been my main interest."
archatlas:

Through the Window Giorgio Barrera
"I started this project in 2002 and stop working at it in 2009. I mainly shot in Italy but other photographs were taken in Norway, Denmark, Spain, Germany, Finland and Sweden. The window is a transparent threshold which delimits a public space from a private one. I’ve always taken the role of the viewer becaues he/she is the real receiver of the image, it is important to me to leave the viewer with the feeling that he himself is the one looking through his own eyes, with no mediation, and this impression of enjoying a privileged, protected position results in identification with the situation. All these images are staged. For many years to create a stage of the banal moments of daily life has been my main interest."
archatlas:

Through the Window Giorgio Barrera
"I started this project in 2002 and stop working at it in 2009. I mainly shot in Italy but other photographs were taken in Norway, Denmark, Spain, Germany, Finland and Sweden. The window is a transparent threshold which delimits a public space from a private one. I’ve always taken the role of the viewer becaues he/she is the real receiver of the image, it is important to me to leave the viewer with the feeling that he himself is the one looking through his own eyes, with no mediation, and this impression of enjoying a privileged, protected position results in identification with the situation. All these images are staged. For many years to create a stage of the banal moments of daily life has been my main interest."
archatlas:

Through the Window Giorgio Barrera
"I started this project in 2002 and stop working at it in 2009. I mainly shot in Italy but other photographs were taken in Norway, Denmark, Spain, Germany, Finland and Sweden. The window is a transparent threshold which delimits a public space from a private one. I’ve always taken the role of the viewer becaues he/she is the real receiver of the image, it is important to me to leave the viewer with the feeling that he himself is the one looking through his own eyes, with no mediation, and this impression of enjoying a privileged, protected position results in identification with the situation. All these images are staged. For many years to create a stage of the banal moments of daily life has been my main interest."
archatlas:

Through the Window Giorgio Barrera
"I started this project in 2002 and stop working at it in 2009. I mainly shot in Italy but other photographs were taken in Norway, Denmark, Spain, Germany, Finland and Sweden. The window is a transparent threshold which delimits a public space from a private one. I’ve always taken the role of the viewer becaues he/she is the real receiver of the image, it is important to me to leave the viewer with the feeling that he himself is the one looking through his own eyes, with no mediation, and this impression of enjoying a privileged, protected position results in identification with the situation. All these images are staged. For many years to create a stage of the banal moments of daily life has been my main interest."
archatlas:

Through the Window Giorgio Barrera
"I started this project in 2002 and stop working at it in 2009. I mainly shot in Italy but other photographs were taken in Norway, Denmark, Spain, Germany, Finland and Sweden. The window is a transparent threshold which delimits a public space from a private one. I’ve always taken the role of the viewer becaues he/she is the real receiver of the image, it is important to me to leave the viewer with the feeling that he himself is the one looking through his own eyes, with no mediation, and this impression of enjoying a privileged, protected position results in identification with the situation. All these images are staged. For many years to create a stage of the banal moments of daily life has been my main interest."
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fashionbygettyimages:

#Fashionflashback: #caradelevingne looking stunning in #Burberry Prorsum lace gown & glistening Chopard jewels worth up to $1.3million. Image by @vittoriozuninocelotto for Getty Fashion. #cannes #burberryprorsum #lace #gown #redcarpet #beautiful #glamour #model #lovethelook #chopard #jewellery #fashion #fashionphotography #instafashion #bnw #cannesfilmfestival
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